Do you remember ? At the beginning of 2020, we were discussing modern and responsible hedonism, thinking only of glamorous parties ? Instead of grand celebrations, Corona is keeping the world on its toes. Economically and medically, the spread of Covid-19 is an exogenous shock – a massive event that no one saw coming and has rendered all predictions moot.
One example of these profound changes is the increased use of motion pictures. Television in particular increased sharply in 2020, contrary to the declining trend, driven by individuals’ strong need for information. If 2020 has shown one thing, it’s this : interest in media is enormously high, especially in turbulent (crisis) times.
If the situation changes permanently and shutdown becomes the new reality, TV plays to its full strengths : It informs, entertains and distracts, whisks people away to other worlds and brings them back into their living rooms. The strength of this effect is particularly evident in the development of its recipients : The proportion of over-14s who switched on every day rose to 72 percent (up 3.2 percent on the previous year). However, not only did more individuals tune in, they also sat and watched for longer. These data show a clear correlation between the overall progression of the corona pandemic and viewing habits. TV usage, for example, was significantly higher than the previous year’s level, especially in March and April 2020. The picture was similar in the fall and early winter : Average viewing time per day, which had actually been declining in recent years, increased by 10 minutes per day among viewers (this increase is also notable because high-publicity sports and other TV events did not occur in 2020).
The shutdown and limited leisure options mean that TV is once again becoming a warming bonfire. This behavior pattern is also evident in younger target groups : Among 14- to 49-year-olds, the decline in average viewing time has stopped. It stands at 137 minutes a day. This stabilization is remarkable, as this group in particular consumes moving image content independently of time via streaming services and uses classic linear television more selectively.
For all target groups, an increased need for information can be identified as the driver of TV use. The broadcasters’ claim to provide recipients with information that is as up-to-date and precisely researched as possible seems to be paying off : The news is once again becoming a fixed point of entry, a bracket for the day, and thus a structuring element. Stations such as the BBC, France III, Rai Uno and ARD all achieved a huge influx. This is also evident in the younger target groups : 88 percent of 14- to 29-year-olds had contact with the news programs of public broadcasters on linear television and on their online platform last year.
The real target group reach across all linear and non-linear media cannot be precisely quantified, but it is immense. This increased interest in information programs shows that people want to know what the current situation is, what measures will be taken next, and how they should be classified from a political and/or scientific perspective. They are looking for well-researched information and reputable sources. This benefits media with high-quality news and reporting expertise.
In addition to its expertise in information, TV scored particularly well last year with fictional classics and (live) entertainment shows. They amount to just under a third of each individual’s total reception time and indicate that people’s mood oscillates between an increased need for information by one side and a loss of reality by the other.
Entertaining formats and reality shows are perceived as a substitute for reality and are received with corresponding pleasure. At Christmas, when many people were unable to celebrate with their usual environment, nostalgic shows and classic films scored particularly well. Church services were also very much enjoyed in this sense via TV instead of being on site in church. The same was true on New Year’s Eve. Overall, viewing on these two days was at a record high in a ten-year comparison.
Curfews in particularly affected regions (or throughout the country) and temporary restrictions on the number of participants in face-to-face meetings are also reflected in the data. Out-of-home use was below the prior-year level in the total audience and among 14- to 49-year-olds in the months ending March 2020. This trend is also certain to continue depending on upcoming vaccination success and existing restrictions.
Streaming is increasingly tapping into broader viewer groups and vying for people’s attention alongside traditional offerings. This development accelerated during the crisis. Net reach increased by up to a third for the entire audience. Time spent streaming has increased by 46 percent. It is also evident that video-on-demand continues to rise and is increasingly popular on the BBS.
Over the course of the past year, a fairly clear correlation has emerged between the pandemic and rising motion picture usage. The usage figures can be attributed on the one hand to an unbroken high interest in news and information programs, and on the other hand also to entertainment shows on classic linear television and the increasing relevance of streaming content. In addition, it can be seen that the enthusiasm for streaming content alongside traditional television will increasingly penetrate the heart of the European population over time.